I have a feeling that Crop Circles are coming from sources closer to home then we like to think. I would venture out to say even that alot of these geometric formations that have been appearing on Earth, are actually being created by our own scientists who have been experimenting on the formation and power of sound. Then the question can be asked, "Well, why would scientists wish to keep that from us?" Who knows? Could be the same reason they keep the fact that they have been testing and experimenting with hoover crafts since they were first invented in Germany. So many people think that aliens are behind all this that, if the truth were to ever come about, alot of shit would go down and the governments would have to do some serious explaining. It is obvious that the Roswell Incident was a failed test flight, not alien.

But never-the-less sound is a very powerful medium which can create and alter many forms of sacred geometry.

Margaret Watts-Hughes who studied Cymatics in 1891, was able to capture specific geometric patterns on film as she sang sustained notes into a certain device. Cymatics is the study of vibrational wave patterns. Then about 70 years after her findings, Swiss scientist Hans Jenny published the first of his painstaking studies on the transmission of sound through liquids.

He witnessed how sound vibration created geometric shapes: a low frequency produced a simple circle encompassed by rings, whereas a higher frequency increased the number of concentric rings around a central circle. As the frequencies rose so, too, did the complexity of shapes, to the point where tetrahedrons, mandalas and other sacred geometric forms could be discerned. Like Margaret before him, Jenny enabled humanity to observe 'frozen music'.

Sacred geometry lies behind the atomic structures of plants and crystals, and these geometric rhythms share similar harmonics to those found in the pure music scale. Even that primeval sound, OM (from which is derived our modern term 'hum'), when sung into a tonoscope produces geometric shapes attributed with 'sacredness', such as the Sri Yantra. Physical reality is governed by geometric arrays related to sound frequencies.

In 1992, Prof. Gerald Hawkins found four geometric theorems in the relationships of elements in crop circles. More significantly, he discovered a previously unknown fifth theorem from which he could derive the other four. Despite an open challenge to over half a million mathematicians, none were able to create such a theorem. Interestingly, shortly after Hawkins’ discovery, his fifth theorem materialized as a crop circle in southern England.

Toning certain sounds help cancel out unwanted vibrations. Native and Aboriginal people have known this inuitively for thousdands of years. Sound is very powerful. As the expression of number in space, geometry is inextricably linked to music, since its laws govern the mathematical intervals that make up the notes in the western music scale—the diatonic ratios. Hawkins' theorems also produce these ratios, and a link now exists between crop circles and musical notes which are the by-product of sound frequency. Crop circles bearing unmistakable associations with sound based on these theorims began to appear after this discovery. One contained a curious ratchet feature from which is constructed a musical diagram dating to the Egyptians, the Lambdoma. Later known as the Pythagorean Table, it defines the exact relationships between musical harmonics and mathematical ratios.

Jenny's work provides an obvious connection to the creation of crop circles since many of the vibrational patterns in his experiments mimic their designs. Actually some are blatant imitations, such as the circle surrounded by concentric rings typical of early 1980s patterns; the tetrahedron at Barbury Castle in 1991; even the highly structured star fractals of 1997.

The connection is visually undeniable. But what evidence is there to link sound and crop circles at a physical level? Many accounts exist of a trilling sound heard by witnesses to crop circles forming. The reports often describe a sudden stillness in the air, the early morning birdsong superseded by a trilling sound and the banging together of wheat heads despite an absence of wind. A whole section of crop then lays down in spiral fashion, lasting less than fifteen seconds. Researcher Colin Andrews came across the trilling noise himself and was eventually captured on magnetic tape. The analysis of the recording at NASA's Jet Propulsion Laboratory concluded the noise was mechanical in nature and vibrating at a frequency of 5.0-5.2 kHz. The same trilling sound was captured by a BBC cameraman shortly before it rendered his $50,000 camera obsolete.

There have been some 10,000 crop circles which have been catalogued in twenty nine countries worldwide with remarkable similar motifs: plants bent an inch above soil; their cellular structure altered; stems lightly burned around the base; alterations to the crystalline structure of the affected soil; the evaporation of ground water, alteration of the local electro-magnetic field, and dowsable, long-lasting energy patterns, not to mention hundreds of measured effects on the human biological field.

Traditionally, sound is considered a prime Universal force in the creation of matter. This concept is echoed in all faiths and traditions: 'In the beginning was the Word, and the Word was with God'. Hopi and Navajo religious traditions assert that, in ancient times, shamans could utter words onto sand and create patterns, a concept not dissimilar to the Hindu mandalas - ­ those geometric paintings held to be expressions of vibrations from the unseen Universe (like the Sri Yantra). Consequently, the Eastern faiths — Islam in particular — chose this sacred geometry to express the image of God. In the twelfth century these geometric principles were encoded in the design of Gothic cathedrals, and its application is now known to enhance the buildings’ sonic effects. The Flower of Life.

Under a microscope, even atoms are seen as harmonic resonators, and their structures are composed of geometric rhythms whose proportions are similar to the mathematical intervals governing the notes of the music scale. For example, the gap between the notes C and G ­ a musical fifth ­ can be represented geometrically as a pentagram. Amazing eh? Music has the power to reform this world.

Russian scientists had discovered in the 60's that certain sound frequencies noticeably affected the growth of plants and seeds. Mary Measures and Paul Weinberger experimented extensively with sound throughout the 1960’s. They succeeded in accelerating growth in wheat, but the sound also produced a resonant effect in the plants’ cells, thereby affecting their metabolism. And the frequency applied was identical to the crop circle trilling noise ­ 5 kHz.

In 1968 experiments at Temple Buell College, Colorado, measured the effects of music on plants. They exposed them to different tones and frequencies. Their findings were amazing! Exposure to heavy metal music made the plants tilt in the opposite direction or die, whereas classical music lulled the plants to lean toward the speakers. But in the case of Hindu devotional music — the type played by the sitar player Ravi Shankar — the stems bent in excess of 60º to the vertical, perhaps the closest any human has ever come to recreating that right angle bend common to genuine crop circles. So fantastic.

Ultrasound is also very capable of interacting with physical elements to such an incredible degree. It can be aimed like a laser beam, and specific frequencies can be focused to cause certain kinds of molecules to vibrate while others nearby are left unmoved. The higher the frequency of ultrasound, the greater its ability to be directed. This requires frequencies in the high MHz range, such as those detected for over a decade inside crop circles. The frequencies inside them appear to increase each year, and relative to this increase is their geometric complexity. This mirrors Jenny's experiments, as stated before, which show that a relationship exists between the complexity of cymatic geometries in proportion to the dispensed sound frequencies.

In other words, the higher the frequency the greater the geometric intricacy. Such extremely high frequencies are also known to affect states of awareness and consciousness in humans. Such effects are traditionally associated with sacred spaces ­ stone circles in particular ­ and it is interesting to note that ultrasound has been detected at stone circles and standing stones in England.

When tuned in the MHz range, ultrasound prevents damage to sensitive tissue, so its healing properties are today used in the treatment of muscular ailments. The musical scale, since it is constructed on the harmonics of sacred geometry, and now found within the framework of crop circles, it would be safe to sat that music is the mathematical structure of the soul of the world because it embodies the essence of the Universe.

We could essentially move mountians with sound if we wanted to, or rather knew how to harness the alchemy of sound deeply in action.

So lets start toning more often! For health, peace and harmonic concordance.

Imagine, if every single person on this Earth stopped what they were doing and toned at the same time the sound of AUM, together? Talk about an instant shift in consciousness.

All the answers we need are right inside of us. The aliens are not going to save us.

We are.